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Archive for the ‘Challenges’ Category

Several large, glassy moments stolen from the middle of the day hang weightily around my head and shoulders as I take advantage of their fullness to whisper with God over coffee in a windowed corner of the cafe. Daydreams and bright bits of future make their way from the pages of my letters to Him to my head and finally into my heart, where they glow warmly. I dream of white walls and breezes in the curtains and my own slip in the harbor, of my practice and all the unique opportunities for service and for love and for growth, of music and books and photographs, of a bright bundle of family and friends and peace under cherry trees.

When I found myself browsing Northern Michigan waterfront real estate, I realized I may have a problem. I need to come to terms with reality: the fact is that I have three-and-a-half more years of school before I can even think about moving up there.

But the dream is important! (Watch me argue this point with myself …) Oswald Chambers says that daydreaming can be useful, as it helps you formulate a spiritual game plan. And, as I learned and am learning from Wendell Berry, homes are important in that they provide a setting for your life. I’m discovering with greater clarity what shape my life should take, and this inspires in me a combination of peace and anticipation that I’ve never before known. My life is unfolding rapidly and will start coming faster and faster every year. What’s wrong with looking ahead at the spaces I’ll need to frame it?

I also found the firm I want to work at. It’s in Traverse City.   🙂

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It’s a quiet afternoon where I sit, curled comfortably between the warmth of the sun and the warmth of something else, something as important. Both gifts from the Father, gifts that wander down from the Father of Lights to find me warm, safe where I had only just moments ago been cold, cold. Activity out the window and activity on this screen capture attention and distract it around the people who move to and from the booth where I fled to find inspiration in the middle of this morning, but my sunshine walls stay and their brightness holds me up.

I’m writing lots and lots today, finally catching up on all of those words that fell through the cracks. I ought to be in Texas listening to my brother give his voice recital, but I couldn’t get a flight … so today has to be enough to make up for what I’m missing, and it absolutely is. God knows how to bless me. The problem is, though, that I don’t always know how to have the blessings.

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The iced air shimmers in the dark, heavily laden with a flood of frozen glitter. It powders the stained-glass night with excitement and brilliant ideas, flashing hard in clean flurries under street lamps. The moment feels like the first breath after a happy surprise, when the air that finds your lungs leaves its promises behind to warm your heart. Your eyes were made for sights like these, and you revel in it even though you hear the rustling reminder that it’s only paper. The shining world that unrolls beneath your feet is only a fragile layer of distraction, and your rigid, pointing fingers put holes in it. But – careful! You’ve heard the paper tear before, been the only one for him to clap his eyes on in the single terrified glance left to him before he’s gone and the wind rattles the edges left ragged by his drop out of the wrapping-paper world. You lost him, but gained a precious glimpse of eternity in his passing. So you keep your balance, or are given it, and with two big pieces of spiritual scotch tape make an x-marks-the-spot. The work is hard, because your fingers are nearly frozen, but, finished, satisfied feet carry you safely home.

Things around here are finding their ends, which mostly means that we’re all starting over. It’s a lot of back-tracking to find and conclude the ideas and relationships that were important to us when we got here, in some cases dusting them off or being surprised by what they’ve morphed into. A lot gets dropped during this process, which is okay, too, I guess. That’s how you figure out what’s really important to you – also a surprise, sometimes.

It’s unfamiliar spiritual geography. I’m nostalgic and restless, anxious and unconcerned, frantically busy and utterly unoccupied. The season is changing, and it caught me unprepared – or in denial, during the moments when I’m honest with myself. I had determined at the beginning of all of this to love it and live in it for as long as I could, and ignore the pain of leaving until after I left. But the leaving will be the hardest. I have found that God has left me remarkably well-equipped to make good out of any situation: it’s the space between situations that leaves me scattered and scared.

But tonight I heard the paper rustle, and I remembered. The world is so perfectly wrapped that you know beyond a shadow of a doubt who prepared it so carefully for you, but the gift is that God decides when to rip the paper away and expose you to your eternity. If I give in to fear at any point, and in so doing deny the promise of God’s protection, where then may I finally draw the line? Our choice on this paper planet is, finally, between fear and faith.

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Genius

Excerpted from “Feminism, the Body and the Machine,” an essay by Wendell Berry.

” … At first glance, writing may seem not nearly so much an art of the body as, say, dancing or gardening or carpentry. And yet language is the most intimately physical of all the artistic means. We have it palpably in our mouths; it is our langue, our tongue. Writing it, we shape it with our hands. Reading aloud what we have written—as we must do, if we are writing carefully—our language passes in at the eyes, out at the mouth, in at the ears; the words are immersed and steeped in the senses of the body before they make sense in the mind. They cannot make sense in the mind until they have made sense in the body. Does shaping one’s words with one’s own hand impart character and quality to them, as does speaking them with one’s own tongue to the satisfaction of one’s own ear? There is no way to prove that it does. On the other hand, there is no way to prove that it does not, and I believe that it does.”

 

The rest of the essay can be found here. It’s long, but well worth the read.

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What started as a contest has suddenly morphed into a rich moment of affection and edification, and my eyes close as my heart opens. Something unfolds from the inside and blossoms under my skin, soaking up the sweetness of careful affirmation, all the more welcome because it had gone un-missed for so long. The tight lines that locked our eyes and edged our interaction are knocked aside by the thoughtful kindesses that bubble out of us, brimming. It’s sharing and confessing and rebelling and embracing and laughing at once, and the echoes leave pretty prints on the insides of my eyes.

I was eating dinner the other night with a few awesome people, when something happened that bugged me. Somebody sassed somebody else, then followed it up with a quick, apologetic “but I love ya.” The sentiment was sincere, but was not properly communicated by the words he used to convey it. He did not mean Love.

A language major really helps me understand the different ways that people tie concepts to sounds. The problem with these ties, though, is that they require that everyone agree on exactly what concept is bound to which word. And humans, as we all know, are contrary creatures that have a history of simply flouting the agreements that hinder them. Love, in the case of contemporary American English, verbalized way too often. That is, spoken to too many people in too many different situations, and thus weakened, and is also too often used in its verb form. Rather than to tell someone that we have Love for them, we toss around “love” to talk about objects we want and trends we like. Something is only merely mediocre when we “don’t love it.”

[Tangent: This, econ friends, is part of the reason why I just can’t get down with that whole anarchy thing. We can’t even reach “willing solidarity” in the matter of grammar – in fact, I’m firmly of the mind that it is precisely the “free, voluntary, direct” use of the English language that has been at the root of today’s moral and ethical train wreck. So I’m skeptical about the propensity of 300 million rational, self-interested agents to achieve anything resembling a society, let alone a harmonious one. (I’m open to discussion on this one … I need more opportunities to thrash out my ideas.]

This concept got driven home again at Unite last night.  I don’t often feel the impulse to attend, being Catholic, but I went along with a friend and had a great time – especially because the speaker talked about Love and Justice … and emphasized Love. God is Love, he told us, and everything else is an attribute. Love defines God, and just describes Him. And Christianity is the only religion in the world that centers on Love; remove Love, he told us, and you’ve done away with Christianity.What a way to redefine a word. I want to challenge you the same way I plan to challenge myself: next time you say the word “love,” think of God. Think of True Love, of its source and its definition. Mean it.

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Her eyebrows raise quietly. “A law degree?” The question is barely polite. “And what do you want to do with that?” I don’t remember how I answered. The response it ought to have been, though it wasn’t, is “WHATEVER I WANT.”

Sometimes I just wish that people would understand things the way I understand them, would assign the same significance to the kinds of relationships and responsibilities that I take to be the most fundamental components of communities.  Hillsdale is, of course, a major exception, as evidenced by an awesome class I had this afternoon.

Today, my professor (who also happens to be the president of the College) described his wife, prefacing his remarks with, “I tell this to people all the time, and I love saying it.” He stated as a matter of fact that he depends on this woman and the huge job she does in order to hold his life together at home, because, he explained, “otherwise that whole thing would be a mess, and then what would I be good for?” He understands these Aristotelian hierarchies of communities that start with our most basic needs as “necessitous creatures” and the fact that they’re met at home. That is to say, he understands that, before he can take the time to engage in the highest activities of politics and statesmanship and friendship and so on, he must cooperate with his wife. I don’t mean cooperate in the sense of merely acquiescing to her, but in the truest sense of the word: he must align the his activities so that the two of them work together.

The assumption implicit in all of this is that there is something worth working together on. Because, let’s face it: humans are, as Dr. Arnn likes to say, “stubborn cusses.” We are powerful, and we know it. So to agree to combine efforts with another person necessarily implies a considerable degree of frustration and compromise – and that both parties have a very important end in mind, and that this end is valuable to them. They understand the thing they’re after and that they must work together in order to achieve it. They also understand what is meant by “work.” Most importantly, they understand what it means to have given their word to work together. And they understand because they used words to share ideas and communicate their dreams and intentions before they began, and then they gave these words to each other.

At this point, Dr. Arnn would cite Aristotle’s assertion that the human capacity for speech means we are moral beings. Common nouns allow us to make comparisons between things, setting standards for not only quality but behavior. The goodness and the being of the thing are connected, et cetera. But I want to loop Wendell Berry in on this discussion, too. He calls for precision in language and fidelity to words spoken, observing the contribution of clear speech and kept promises to healthy communities. Trust plays a major unspoken role in all of these discussions – one that I’m surprised never came up in our course. But the conclusion I feel inevitably led to by both the class and by Berry is that trust is a hard thing to get to anymore. I have to wonder, though, how much of that is due to the fact that we don’t understand each other when we talk, because of technical jargon, cultural barriers, or innuendo … Three hundred million people with a million English words in common, used to construct perhaps as many different languages.

If this is the case, there doesn’t seem to be a readily apparent way to fix it.

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A tired train sighs discontentedly somewhere out in the night as I gulp down grateful breaths of ice air and dream about my cherry orchard – the one I imagine myself buying, somewhere up in Northern Michigan. Memories of Grand Marais sweep through my mind like dune sands thrown by Lake Superior winds as I walk and imagine the tiny house and its big front porch. I plant a mental garden and watch its hot fragrances blossom into dreams of nature and nurture in this place I hope to find.  It’s an adventure and a homecoming, all wrapped into one.

My ideas about place have been worried by my exposure to two new stories – The Blind Side and Eat, Pray, Love – movies I watched over Thanksgiving weekend. Both of these films featured strong women played by actresses I love, and left me with a lot of food for thought. The Blind Side, actually, has more to do with my own personal and spiritual development, so I’ll just focus on the other.

Eat, Pray, Love was so bad for me. I basically just wanted to drop everything and run to the airport. A year traveling Italy, India and Bali? How exciting and inspiring and exotic. Though I probably would have spent my time doing different things than the protagonist did, I still found myself thirsting for the experience – for the sense of the place. So I felt really torn when I stood up after the movie concluded on the idea that family is the most important thing and returned to the Wendell Berry book I’d put down just before the movie started. The pages in my hand felt vanilla. His descriptions of a tiny family farm, bland. The predictable lines of apathetic print simply couldn’t compare with the bright visual feast I’d watched Julia Roberts’ character consume with such appetite.

Still, our new pastor’s warning stuck with me: “Great deeds come at great costs.” And the things this woman had given up in order to travel were pretty significant. Family, as she learned and I already knew, is ultimately the most important thing. And I love, love, LOVE my state. Michigan is home and always will be. Still, I crave colors and crowds and bright foreign landscapes even as I question my motives for doing so. These things, after all, were precisely those that drove me out of DC. So perhaps I need to learn to be happy where I am, with what I am doing – to breathe color of my and God’s own making into them, rather than import it. After all, so many beautiful people have led devastatingly meaningful lives without ever traveling more than 50 miles from home. I must try to emulate their modesty.

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You are one of the most beautiful people I have ever looked at. It surprises me every single time you’re around, how gorgeous you are – even though that’s pretty often. You look like something out of that copy of Vogue magazine that Dr. VonSydow assigned as our Politics of Fashion textbook, except  that there is something hard and cold and clean about you, and it sets you a world away from the people luxuriating on those slick and silty pages. I think I might be able to capture it if I tried, but then the idea of freezing you into a photo seems impossible and even a little irreverent. God made you for motion.

And here I’d like to qualify, to tell you that by these things I mean nothing at all beyond what I say. I do not mean that I love you. Some artists know how to appreciate the human form without adoring the soul that animates it … and I am not talking about your soul. I ought rather have directed this entire monologue to God, because I mean only to praise the good work He did in crafting your features.

I simply mean that you are handsome, that God has blessed you with a strong face that speak of permanence, with a big smile that reminds me of Lake Superior winds, that your eyes are thoughtful and that your expressions are striking. In describing you, I do not claim to know you. In looking at you, I do not pretend to understand you.

This is different, dear readers, than loving someone. Let me show you, let me name a few of the people that I love with a fierce devotion. There’s a girl with silky black hair whose mind matches my own, a bright-blue-eyed beauty with words like comfort, the  two treasures with whom I live, my blood sister, my sassy law school buddy, my philosopher brother, my “twin” brother, a world traveler who loves me back, a brazen musician who doesn’t. The subject of my first-ever photo shoot, a few new ones who sing me country songs, a brilliant poet, the girl who hears me, and a guy who listened twice. The gift-giver, a singer, the little sister, and the Thinker. There’s a kind one and his sarcastic friend, a generous cynic and that person from that thing I did that one time. (And I haven’t even gotten started on my family yet.)

I don’t often pause to look at these people, because I spend so much time seeing them. And they, they are those with whom I am enamored.

It’s an interesting exercise, to compare looking with seeing.

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What is it REALLY?!

I watch Casey double over in laughter again before she bobs upright, reminding me of the way a bouy punches through the surface of the water to bounce cheerfully against the air. Jessica falls back against the wall, eyes squinched shut in quasi-hysterics as Casey gears up to make the impression again. Pressing her limbs tightly to her body, she tips up on the balls of her feet and gestures with quick, stiff motions. “What is it really?!” She rasps, impersonating a professor. “What is it really?! What is it REALLY?!” Moments later both roommates have bundled into my bed, chattering happily as we settle in for a Scripture reading and sweet dreams.

Casey’s impression always makes me laugh – she’s so incredibly cute. But lately I’ve been asking the same question – though in a totally different context – and it’s driving. Me. Crazy.

What is art?

I know, I know – how pretentious. How Hillsdalean. But, seriously, guys … we’ve defined the living daylights out of Good, True, Beautiful, Prudence, Statesmanship, Politics. Can somebody please help me out on this one? Art is everywhere, but I have no idea what it IS.

Someone told me that art is simply any product of human creativity.  So the mini-sketches in the margins of my notebooks are art, and so is the ceiling of the Sistine Chapel, then, right?  Impossible – because then when we went to categorize art in terms of its goodness, we’d have to say that better art is more CREATIVE art. And the quickest way to get more creative is to simply paint, draw, write in greater quantity. And I’m pretty sure you can’t apply the Labor Theory of Value to art.

What about computer-generated art? Is that art? I absolutely believe that one of my photos is less a work of art than a sketch or a painting. But isn’t “good” art supposed to be that art which is closest to life? So photos, then, are the best art … but if that’s the case, then why is Ansel Adams’ work known the world over if it’s just pictures of trees and stuff? My photos aren’t any less life-like than his – we both use machines to capture images with precision. So is art just a matter of proportions and angles? Is art MATH?

I’ve been stewing on this for weeks now, and I’m only more confused. I suppose it doesn’t help that I’ve never taken an art class in my life and have quite literally zero knowledge of the subject.

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Stale warmth and fluorescent light stagnate in the stairwell as I thump hurriedly down six flights – down from the President’s perch and into the fresh bite of fall. Send me on an errand so that I may do something … so that I may MOVE.

I’m not so much into fashion … but I love a big bag with lots of pockets. And shoes – sturdy shoes. These are critical to my adventures. They’re the last two things I grab before tossing a scarf around my neck,  blowing kisses to my roommates, and slamming the door. It’s the feeling of setting off, prepared, that energizes me. Self-contained, needing no more than I can comfortably carry on my person and in my soul, I am independent. God shines down and lights the world as I stride over it, eschewing computers and cubicles as best I can. It’s the brightness of real space that intrigues and invigorates me. Pixellated inspiration simply doesn’t cut it.

Today I’m looking for pretty paper … the way I go through Post-Its is frightening. I’m a list-er and a scheduler. And I’m also highly single-minded and prone to forget things. Post-Its are critical to the maintenance of my sanity. So I’m thinking that as long as they’re going to be sticking everywhere, they may as well be aesthetically pleasing. Bright pink and neon green are so obnoxious. So the hunt is on for a burnt-orange Post-It. Or a nice shade of sage ….

These are from this week:

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