The light blaring down around me as I weave between snowdrifts has apparently by-passed the sun’s mitigating effects and dropped directly from Heaven – its brightness blinds me to everything but the shine of snow and the breath-taking sensation of iced air burning through gaps in my several layers. My hurrying feet hesitate before the heavy basilica doors, but only for a moment. The doors close behind me with a careful thud, and I gasp into the incense-scented darkness for several moments until a gentle glow appears as my eyes adjust. The towering golden tabernacle swims into focus, followed by the bright blue bases of the towering columns. The stained-glass windows sharpen next, throwing the Stations of the Cross into sharper relief. Finally come the baptismal font and the murals saturated richly into the walls and ceiling. I have no place else to be but on my knees for the better part of an hour, so I duck into pew and reach for Great Aunt Bernetta’s gentle old rosary. The words that leave with me are tucked between pages lined with a swirl of heavy handwriting that only vaguely resembles my usual light cursive, but I don’t have time to wonder when that otherworldly brightness confronts me again.
So many other inspirations have been distracting me.
I’ve been reading Julia Child’s semi-auto-biography (she co-authored it), My Life in France. I’m only into the third chapter, but I’m already fascinated by the spiritual geography that she encountered there, and shares with us in vivid, elegant prose. My favorite thing about her writing, after the gorgeous imagery, is the glamorous-yet-reserved tone with which she describes an experience that she positively gobbled up … it gives one the impression that she was the kind of woman who could take everything in huge bites and still manage to look lady-like.